The Blanton Museum - Santo, San Antonio de Padau

The Blanton M occasionum is reputably known for its Texas themed collections. For many, the most well-fixed aspects of the museum ar the strategic placements of the artifacts, which attend in understanding its diachronic narratives. The contexts of the artwork not wholly appeal to those unfamiliar with the historical durationline but with the intentions of the workmans. With difficulty in choosing a single artwork, my ocular analysis is on the artifact sculpted in the new 18th or primeval 19th century, Santo, San Antonio de Padau, (St. Anthony of Padau). The brief verbal description doesnt provide the certify artisan, but instead indicates the shape was anonymously gifted to the museum. Although the statue maker may be unknown, the artist used different aspects of blazon to enhance the sculpts medium and legitimateistic perspective. To clarify, I couldnt bank this carving was made come forth of wood. I was impressed how the use of light reflecting on the glum an d golden brass equal paint would give the thaumaturgy of a naturalistic sculpture. The artist was capable of exhibiting a real representational edition finished relief sculpting and careful butterfly with the styles of color.\nAfter investing time in examining the sculpture, I couldnt help but to bear more questions of what the artist sculpted. From a distance, I was able to reimburse a generalized assumption from the mans attire. The iconography appeared to be a religious range dressed in a catholic robe languid by the medieval friars. As Im examining the sculpture, I notice an alarming situation that intrigued my initial interpretation of the sculpture. It appears that the sculpture of St. Antonio de Paudau is missing the most common of all Christian symbols, a crucifix. Exposed to the catholic faith, my distinguishing characteristic only intensified from the bound knowledge of the medieval friars.\nEvidently, we are able to gain interpretation of the context and med ium from the informative pa...