Love with Vronsky Essay

The younger of the two boys is the epitome of innocence and mischievousness. A blond haired, blue-eyed boy who is lying in the grass, day-dreaming. This symbolizes all that is pure in the book, all which is innocent. The characters of Levin and Kitty seem connected with this young boy. They are both very vulnerable characters, and those who take get along earnestly and base their lives almost it. The older boy is working, absorbed in his work and was being very cautious and wary about his line. This boy seems to represent the character of Karenin, soul who is too absorbed in his own work to even primordial what is going on around him, to be looking at the body of water just dreaming.When m superstartary expenses are discussed, Mihailov squirms and becomes irritated. This shows his loathing towards money, and how he looks beyond those aspects of life. It seems that Annas quirky attraction to Mihailov may have sprouted from the welcome transfer between a life where money and f inance was a key element of daily life with Karenin, to this figure that chooses fervor over funding. aft(prenominal) meeting Vronsky for the first time, Annas perception of Karenin becomes very distasteful. She notices all his faults. His hair seems to have been cut incorrectly, the cracking of his joints becomes irritating. The same happens to Vronsky in this section. Once he realizes that he is not a talented artist, and once he pelf short his experimenting because he realizes Mihailovs ability far exceeds his, he becomes perfectly bored. He notices all the faults of his situation...struck them as intolerably boring in the detailed Italian town. The palazzo suddenly seemed so noticeably old and dirty. The spots on the curtains, the cracks in the floors, the stucco issue forthing away form the cornices were constant eyesores.This exposes one of Vronskys traits. He get bys to try out different hobbies, much as he does in love (as he earlier admits that settling wad seemed unr easonable to him). He becomes frustrated and grows progressively more restless. This impatience is shown by his sudden realization that he needs something new, needs to return to Russia. Annas company is not enough for him, yet Anna is unpardonably happy,4 as even though she has left her whole life behind, she has no complaints and fall even more deeply in love with Vronsky.Vronsky notices in Mihailovs portrait of Anna a peculiar beauty. One needs to know her and love her, as I have loved her, to discover the very sweetest side of her soul, thought Vronsky, though it was only through this portrait that he himself larn this sweetest expression of her soul.The fact that Vronsky, until he sees the painting, has not been aware of Annas accepted soul implies that he doesnt know enough about her, (and although his love for her seems authentic) Vronsky feels he loves her more than he truly does.That a painter, someone who scantily knows Anna (on a platonic level), can see something her lover cannot shows that Mihailov sees something in Anna insensible(p) by her closest contacts.Therefore, this chance involving Mihailov, although not particularly important to the plot, gives the lector a deeper insight into the lives and emotions of Anna and Vronsky and the situation in which they have placed themselves. It is this episode that allows Vronsky to realize his boredom, and arguably what drives Anna to suicide (by returning to Russia.)